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Joel-Peter Witkin: Vanitas, by Otto M. Urban
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Joel-Peter Witkin: Vanitas offers a concise survey of one of the most controversial photographers alive. Since the late 1970s, Witkin’s black-and-white portraits and still-lifes of hermaphrodites, body parts, severed heads, mutilations and similar themes have inevitably provided shock fodder to the religious right, while seeming to evoke an easy relationship to ideas of decadence and morbidity. For Witkin, the goal is simple: “I wanted my photographs to be as powerful as the last thing a person sees or remembers before death.” Witkin’s photographs offer up examples of life’s extremities as unblinking confrontations with mortality, whose power derives not merely from their content but from the keen compositional instincts governing that content. Witkin’s gift for still life and his use of religious motifs such as crucifixion and sainthood have been nourished by his appreciation of the likes of Francisco Goya, Odilon Redon and Hieronymus Bosch, whose examples he has translated for the concerns of the present. Witkin’s photographs have made a colossal impact upon contemporary culture, influencing artists such as the Chapman Brothers and Erwin Olaf, musicians such as Diamanda Galás and Trent Reznor, and the late fashion designer Alexander McQueen, among many others. Vanitas provides a cross-section of the artist’s work from the 1970s to the present. In addition to photographs, it includes many lesser-known drawings and paintings, as well as Witkin’s most recent, previously unpublished photographs. A bilingual (English/Czech) text by the art historian Otto M. Urban summarizes the development of Witkin’s life and work.
Joel-Peter Witkin was born in Brooklyn, New York, in 1939, and lives in Albuquerque, New Mexico.
- Sales Rank: #1075249 in Books
- Brand: Brand: Arbor Vitae
- Published on: 2012-10-31
- Original language: English
- Number of items: 1
- Dimensions: 10.25" h x 9.00" w x .75" l, 1.55 pounds
- Binding: Paperback
- 164 pages
- Used Book in Good Condition
Review
Witkin's bizarre explorations of pain, sex, death, morality and the human psyche are not for the faint of heart. "When people see my work, there is no 'gray area' of response," he notes in this wide-ranging retrospective. "What they experience is either love or hate." We're inclined toward the former. (American Photo)
Most helpful customer reviews
5 of 5 people found the following review helpful.
Not for the faint of heart
By Ronrey
Not for the faint of heart. Brutal yet beautiful. Morbid imagery, but not disgusting or distasteful. Joel-Peter Witkin does use real deceased human subjects in his photo surreal scenes, but it's not typically gory or focused on gore, blood and guts. It's more in the mind set of seeing the beauty in the decay. Life is not only about living, death is a part of life and life is a part of death, all of which can be seen as beautiful since you cannot have one without the other. It's complicated imagery that makes you think deeply, and sometimes cringe.
I would call it modern fine art / modern photography, but the imagery is timeless. He does do some post work in Photoshop or some other photo editing application to finalize many of his masterpieces.
6 of 8 people found the following review helpful.
Horror and Beauty
By Grady Harp
JOEL-PETER WITKIN: VANITAS was published last year in the Czech Republic. Conceived as a way to allow Witkin to comment on the creative nidus of his own creations this monograph presents a collection of Witkin's latest photographs, his retablos, created over the last three years. The monograph, in English and in Czech, with a text by the art historian Otto M. Urban summarizes the development of Witkin's life and work.
Witkin is a Brooklyn born photographers who stylized black and white portraits focus on still life and portraiture and stirs up controversy whenever they are shown. Witkin's black-and-white portraits and still-lifes of hermaphrodites, body parts, severed heads, and mutilations and religious themes are the subjects and objects Witkin presents to us. For Witkin, the goal is simple: "I wanted my photographs to be as powerful as the last thing a person sees or remembers before death." Morbid to some maybe, but he photographs his subjects beautifully creating an atmosphere of decadence. His influences come from his appreciation of Goya, Odilon Redon Hieronymus Bosch, and Giotto. This book is a survey of his work from the 1970s to present day and presents a collection of Witkin's latest photographs, his retablos, created over the last three years.
The American photographer Joel-Peter Witkin, born 1939 in Brooklyn and now living in Albuquerque, NM, has been one of the most outstanding representatives in the world of photography since the end of the 1970s. His stylized black and white images are included in all major photography collections around the world. Witkin focuses mainly on still life and portraiture. His work presents a unique view of the contemporary world and he often works populated with bizarre creatures and themes have been described as `shock fodder' to the religious right due to references to religious themes (the crucifixion, saints, etc.) as well as to classical painting (Francisco Goya, Odilon Redon, Joan Miró, Hieronymus Bosch, etc. Also thanks to the work of Joel-Peter Witkin the concept of decadence and the decadent has recently emerged more and more in relation to contemporary art. The book represents a cross section of the artist's work since the 1970s to the present. In addition to photographs, lesser known drawings and paintings are also included in the book.
In Witkin's words, placed throughout the book, `My art is the way I perceive and define life. It s sacred work, since what I make are my prayers. I am not looking for sensations, even though I work with very striking elements. I merely want to express myself. Even though the elements may vary, the results should still aim to celebrate life and the positive side of it. They should educate us and lead us to greater love and mercy I only take photographs of what I believe in: if I show death, that is because even in that condition I recognize this power of reality that no imagined work can reproduce. I believe that Christ was a man who transcended this bodily form and became God: or to put it in terms of my personal belief - God placed on the man called Jesus the mask of Christ!'
This volume, perhaps more than any of his other monographs, reveals the artist behind the strange creations that have flowed from his creative mind throughout his career. The photographs, preparatory drawings, and incidental paintings (like story boards) provide insight into his genius. Grady Harp, May 13
4 of 5 people found the following review helpful.
Great book for my collection
By Andrew Lawrence Graham
Joel-Peter Witkin is a master at "out-of-the-box" thinking with a great sense of humor. Some of the art is not for the "faint of heart" but ALL of his art is inspiring and worth exploration. His art is beautifully executed as well, as is this book which is well done and the images well reproduced. I am delighted to add it to my collection.
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